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The Infinite Gallery

by The Rosenshoul

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valnakata
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valnakata I've been a fan since I first saw these guys playing in Tokyo. Massive walls of gothic oppression wash over you. Their soundscapes are infinite and dark and this is a great retrospective collection. Not the easiest entry point for first time listeners, for that I'd recommend Low Winter Sun. That album is the absolute pinnacle of what they do best. Taking you to a dark, dank and lonely place. Favorite track: Milton, Tonight We Murder.
Ryota Hara
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Ryota Hara 20 years of the best Industrial Dark Ambient there is on offer. And at almost 3 hours long this is a mesmerising experience to say the least. Cold dark lonely nights will never be the same again!
hello swirl
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hello swirl Bleak, bleak, reverb hell, and bleak. It is an infinite gallery. Excrutiating ambient in it's accumulation of tension, and sometimes flattening of tension without resolve, with classical, albeit ominous, harmonies wafting through - to give us hope - then sonically obliterated - slowly.

If there is a hell, The Rosenshoul has recorded it. Nice work. Favorite track: Love Like Blood.
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Akujo Nokaze 18:08
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In Her Blood 11:37
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about

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The Infinite Gallery is a collection of work to celebrate the 20th anniversary of The Rosenshoul. This album contains selected tracks from the past 20 years as well as the complete tracks from the 2015 release Second Sin Vol 1. and unabridged versions of tracks from the 2014 film The Last Drive In by Shiro Takehiko.

Born in the darkness of the Tokyo underground music scene in the late 90's, The Rosenshoul quickly established itself as a pioneer in harsh industrial dark ambience. Walls of metallic sound washed over audiences before their first full length studio album Darker Blood released in 2000. Born from the minds of producers Duncan Ritchie and Shiro Takehiko, The Rosenshoul have played countless performances throughout Japan and Australia in the early 2000's releasing seven albums to date.

Total run time 2hrs 58mins.

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Second Sin Vol.1.

Released April 03, 2015.

Additional field recordings on The Burning Room by Aitosi Kuwada.

Additional bass on The Burning Room and Love Like Blood by Freddy Anders.

Additional field recordings on Love Like Blood by Shiro Takehiko.

Additional bass and piano on Where All Men Die by Shiro Takehiko.

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The Last Drive In (Original Soundtrack).

Released August 4, 2014.

Additional engineering on (Act 1) Spatial Infraction by Shiro Takehiko.

Additional Field Recordings on (Act 1) Spatial Infraction by Aitosi Kuwada.

Additional bass on (Act 2) Milton, Tonight We Murder by Freddy Anders.

Additional Field Recordings on (Act 3) The Last Drive In by Aitosi Kuwada.

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credits

released August 14, 2020

Composed and performed by Shiro Takehiko & Duncan Ritchie.

Mastered by Duncan Ritchie.

Cover art by Duncan Ritchie.

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The Rosenshoul Japan

Imagine the internal workings of the human mind laid to waste like some post apocalyptic world. Those few tortured threads of humanity left drifting painfully through a vast empty nothingness. A deafening silence becomes an unbearable blinding hum, the pulsing in your temples an industrial nightmare. ... more

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